Vallum Poem of the Week: “Shelter” by Louise Molloy

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17:1, Louise Molloy, Poem of the Week, POTW, Shelter

Shelter

 

In the cramp of the city-circle tunnel,
………… a commuter backs up against a closed door,
………… one arm crooked, hand splayed against the carriage roof,
…………  hunched within his winter coat,
………… chin tucked, eyes closed.

Across the rooftops from the kitchen window,
………… homebound traffic drones to mealtime clatter,
………… and shunted out of weariness he blinks,
………… a blue heron sits folded, a figurehead
………… on the prow of a nearby roof.

Carried within the stop and start of routines is shelter,
………… awkwardly stilled.

---

Louise Molloy lives on the lands of the Boon Wurrung people in Melbourne, Australia, teaching English language and literacy courses for adults and writing for children’s magazines. Her poetry has appeared in Island, Overland, Going Down Swinging, Hecate and online in Cordite. 

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This poem was originally published in Vallum issue 17:1 Home.

Vallum magazine is also available in digital format. Featuring additional content such as: AUDIO and VIDEO recordings of selected poets, further poems, interviews, essays, and MORE! Visit our website for details.

Vallum Poem of the Week: “What Is It” by Rae Marie Taylor

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What Is It

 

about the voices of those we love
that makes them
……….. song

Is it our cells
that sound
beyond the child’s complaint
or with the lilt of the toy’s story
that meld
the sister’s tone with the toast and jelly

that carries and unfolds the caress
that rings in the sound of voices of
those we love

What is it
about the sound of voices of those we love
how do they ring and carry
………. song
thoughtful knowing
and response

How do we do without them?

How is it that they bring us home?

---

Montreal-based poet and visual artist Rae Marie Taylor shares her life and work in Quebec and the American Southwest. She has authored and produced seven bilingual Spoken Word shows, most recently Songs of Solidarity/Chants d’amité en mouvance with Montreal musicians Pierre Tanguay and Diane Labrosse. In print, her poems have appeared in both English and French journals such as Vallum, La revue POSSIBLES, the on-line reviews Mitra and Françoise Stéreo, Les Écrits #146 and the anthology Femmes rapaillées. Her book of essays, The Land: Our Gift and Wild Hope, was finalist for the New Mexico-Arizona Book Awards.

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This poem was originally published in Vallum issue 17:1 Home.

Vallum magazine is also available in digital format. Featuring additional content such as: AUDIO and VIDEO recordings of selected poets, further poems, interviews, essays, and MORE! Visit our website for details.

Vallum Poem of the Week: “When Water Breaks Inside” by loudvoice

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17:1, loudvoice, Poem of the Week, POTW, When Water Breaks Inside

When Water Breaks Inside

 

I thought about pouring my death chills and cold sweats down the
………. sink
my stomach said well, I guess, you think?
Because my worst memoirs defy the laws of physics

They make my body contort, stretch, distort
even against my greatest wishes
knee-deep in the wreckage, covered in soot, the sky is red
and the dust-devils are made of ash

I’ll look my people dead in the eye and into the mirror
like am I really worth this, I honestly have to ask
and I’m looking around this place, like hey, I’ve been here before in a
………. worse way

This is where people overdose
This is where the foundations of made-up minds crumble and decide
………. to take the first drink
This is where a few cousins of mine recently decided to commit
………. suicide

Even in writing this, I know I’ll sleep tonight, and do what I have to do
………. tomorrow

But I want you to wonder about my fellow indigenous men that don’t
………. leave this place
Like how the atrocities of colonialism made us be. And sealed some
………. fates, like that

***

I feel like water is pervading my eyes
Why is it so blurry?
I’m pretty sure it’s not just broken glasses
It might be years of bad habits
And continued practice
I wish I could tell you why I’m like this
My eyes are blurry
Tears are from a wellspring
Like the one my dad showed me to get water from
But now the water is pervading my eyes
It reaches up so hard
And I try my best to drink it all away—

But maybe it’s an oxymoron because it’s the cause
It’s that weak feeling in my chest
The one that makes me run
And feel unloved
I’m not even sure it makes sense
But I give it weight anyway
Like it would hold my hand in the deep dark
Or let me put my head on it to rest

They call it a dark night of the soul
Why am I here?
Why does it make my eyes water?
Why does it taste like tequila?
And why did I ask her to be my rehab?
She doesn’t deserve that

I guess I’ll wander away and hope she forgives me
I would like to wander on the moon
Because it might not be snow
It might be cold but the dark side is home
Until it’s not
Until I’m caught

It might be bright but at least it doesn’t cost a dollar
The disease festers on my heart and soul
And those things are my connection to the infinite
And that means I must promise you that I will visit those places
and bring you back things from there
It might take my life
It might not

I won’t let the dangerous spectre of that question linger any longer
………. than it has to
Because I proved it to myself once, or twice

I take my power of choice back

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loudvoice is a nêhiyawak napew (Cree man) from Ochapowace First Nation. His work has a exploratory emotional bent. He is a stage poet and hip hop artist.

Find him on Spotify. 

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This poem was originally published in Vallum issue 17:1 Home. 

Vallum magazine is also available in digital format. Featuring additional content such as: AUDIO and VIDEO recordings of selected poets, further poems, interviews, essays, and MORE! Visit our website for details.

Vallum Poem of the Week: “Speaking of Death” by Carolyn Marie Souaid

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"Speaking of Death, 17:1, Carolyn Marie Souaid, Poem of the Week, POTW

 

Speaking of Death

 

If I had my druthers I’d pick December
under a sheepskin throw.
In full view, attending to me,
a constellation of earthly possessions:
eyeglasses, ginger tea,
The Complete Poems of Emily Dickinson.
Logs flaming in the stone hearth.
Hung from a nail, a winter scene
framed in mahogany—
horses trotting through fresh snow
or a Christmas cabin nestled in the woods,
smoke drifting sideways from the chimney.
Riches for the eyes,
and for the ears, as well:
the Great Mass in C-minor, swelling,
rising as it would from a dour cathedral.

Alternately,
I could slip away in summer sheets,
white Egyptian cotton, of preference.
Nibbling on toast
I would lie in bed, pale as a moth,
gaze longingly through the soft sheers
as sunlight fades over an English landscape—
woolly hilltops brushed with lavender,
chittering birds perched like quarter notes
on a thatched roof
before taking flight along the path of the stars.

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Carolyn Marie Souaid is the Montreal-based author of eight poetry collections and the acclaimed novel, Yasmeen Haddad Loves Joanasi Maqaittik. Her videopoem, Blood is Blood (with Endre Farkas), garnered a top prize at the 2012 Zebra Poetry Film Festival in Berlin. Her work has appeared in The Malahat Review, The New Quarterly,  the Literary Review of Canada and elsewhere, and has been featured on CBC-Radio. In April, she will be reading at the Sierra Poetry Festival alongside Hélène Dorion, Alain Cuerrier and Endre Farkas.

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This poem was originally published in Vallum issue 17:1 Home.

Vallum magazine is also available in digital format. Featuring additional content such as: AUDIO and VIDEO recordings of selected poets, further poems, interviews, essays, and MORE! Visit our website for details.

 

2020 Year in Review: Part 2

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17:1, 17:2, 2020, 2021, Year in Review

To put it lightly, 2020 was a year of changes. We have all had to learn to adapt to this new way of living, yet despite physical isolation, we at Vallum feel so lucky to have been able to connect with you through the digital sphere. Thank you for helping us continue to share the art of poetry — we are truly humbled by the support of our community and send our sincere wishes of health and happiness to you and your loved ones for this year to come. 

Despite the many challenges and uncertainties of this year, we managed to launch Vallum: Contemporary Poetry issues 17:1 and 17:2, and publish four chapbooks: The Bannisters by Paul Muldoon, A Tilt in the Wondering by Nicole Brossard (re-release), It Was Treaty / It Was Me by Matthew James Weigel (1st Place in the 2020 Vallum Chapbook Award) and DC Poems by Joe Neubert (2nd Place in the 2020 Vallum Chapbook Award). Read about our new chapbooks here.

Judy Barlow won the 2020 Award for Poetry with “Walking Into East-end Toronto 2020” while Mary Trafford received second place with “Border crossings.” Honourable mentions went to Josh Feit with “Linger Factor,” Esther Johnson with “we lost ahmaud,” and Michael Trussler with “As Unnoticed as Possible.”

We also participated in virtual press fairs Word on the Street (Toronto) and Expozine (Montreal), and hosted outreach workshops with new facilitators and organizers. 

To reflect on the year, we asked this year’s contributors to share their thoughts on the books they read in 2020 and what’s in store for the year ahead.

Here’s what some of the writers published in our latest issues had to say:

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Aisha Hamid

Favorite Book of Poetry Discovered this Year
If They Come For Us by Fatimah Asghar. As a student of poetry, I found the deconstruction of form refreshing; it opened up endless possibilities for me.  

What’s on your reading list for 2021?
Calling a Wolf a Wolf by Kaveh Akbar, Living a Feminist Life by Sara Ahmed, Are you Enjoying? by Mira Sethi, If I Had Your Face by Frances Cha.

Best Writerly Advice. 
Notice the ordinary and the everyday – that’s where poetry is. And read books by womxn of color.

2020 Year in Review: Part 1

Tags

17:1, 17:2, 2020, Year in Review

To put it lightly, 2020 was a year of changes. We have all had to learn to adapt to this new way of living, yet despite physical isolation, we at Vallum feel so lucky to have been able to connect with you through the digital sphere. Thank you for helping us continue to share the art of poetry — we are truly humbled by the support of our community and send our sincere wishes of health and happiness to you and your loved ones for this year to come. 

Despite the many challenges and uncertainties of this year, we managed to launch Vallum: Contemporary Poetry issues 17:1 and 17:2, and publish four chapbooks: The Bannisters by Paul Muldoon, A Tilt in the Wondering by Nicole Brossard (re-release), It Was Treaty / It Was Me by Matthew James Weigel (1st Place in the 2020 Vallum Chapbook Award) and DC Poems by Joe Neubert (2nd Place in the 2020 Vallum Chapbook Award). Read about our new chapbooks here.

Judy Barlow won the 2020 Award for Poetry with “Walking Into East-end Toronto 2020” while Mary Trafford received second place with “Border crossings.” Honourable mentions went to Josh Feit with “Linger Factor,” Esther Johnson with “we lost ahmaud,” and Michael Trussler with “As Unnoticed as Possible.”

We also participated in virtual press fairs Word on the Street (Toronto) and Expozine (Montreal), and hosted outreach workshops with new facilitators and organizers. 

To reflect on the year, we asked this year’s contributors to share their thoughts on the books they read in 2020 and what’s in store for the year ahead.

Here’s what some of the writers published in our latest issues had to say:

---

Archana Sridhar

Favorite Book of Poetry Discovered this Year
Cluster by Souvankham Thammavongsa

What’s on your 2021 reading list?
Luster by Raven Leilani and Just Us: An American Conversation by Claudia Rankine

Best Writerly Advice
Always carry a notebook or a piece of paper and a pen – in case inspiration strikes in a meeting or on a walk or even at family dinner… I am always surprised when a poem comes, and reminded of the importance to make space to welcome it.

 

 

Roxanna Bennett

Favorite Book of Poetry Discovered this Year
Side Effects May Include Strangers by Dominik Parisien (McGill-Queen’s University Press, 2020) is a collection that means the world to me. It’s an intimate and insightful examination of pain written with exquisite vulnerability.

What’s on your reading list for 2021?   
Poetry-wise, I am super stoked for Khashayar Mohammadi’s Me, You, Then Snow (Gordon Hill, 2021) and for Kevin Heslop’s the correct fury of your why is a mountain (Gordon Hill Press, 2021). 

In terms of cultivating mindfulness in challenging times, I highly recommend these books to all beings:
Altered Traits: Science Reveals How Meditation Changes Your Mind, Brain and Body (Avery, 2018) Daniel Goleman, Richard J. Davidson,
How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying (Penguin Press, 2018) by Michael Pollan,
The Art of Happiness: A Handbook for Living (Riverhead Books, 2009) by His Holiness the Dalai Lama,
When Things Fall Apart: Heart Advice for Difficult Times (Shambhala, 2007) by Pema Chödrön, 
Why Buddhism is True: The Science and Philosophy of Meditation (Simon and Schuster, 2017) by Robert Wright. 

I also recommend reading nothing to develop a relationship with inner silence.

Best Writerly Advice. 
You don’t need advice, writerly or otherwise, you already know exactly what to do and have everything you need inside of you. 

Vallum Poem of the Week: “This Love Like a Rock” by Jennifer Hasegawa

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17:1, Jennifer Hasegawa, Poem of the Week, This Love Like a Rock

This Love Like a Rock

My dad hauled home
a beautiful rock. It was three-feet tall
and pocked like a wild sponge.

When it rained, water pooled
in the top pocks and cascaded down
to fill the lower pocks.

He told my mom,
“Pele made em jus fo you, honey!”
She said, “Fairy tales.”

The rock started making
its own water. I monitored it as it
slowly circled our house.

He ate some bad opihi (auwe!)
and was writhing in bed for days
as red moss crept across the rock.

Back at work, a boulder toppled
from the trench of a bulldozer
and caught his leg.

Earthbound meteor left a gash
in his shin. Blood pooled in the top pocks
and cascaded down to fill the lower pocks.

He hobbled out the front door,
gently tucked the rock into the bed of his truck
and we headed for Volcano town.

He returned it
to the grove of ōhi‘a lehua
where he found it.

My father stared at his battered leg
and I worried that the rock would be
there waiting when we got home.

We listened to the urgent trill of the ‘i‘iwi,
dipping its beak into the nectaries of the forest,
our pores wide open
_________________and taking in
)))))))))))))))))))))))))))))))))))))))our own sweet medicine.

)))))))))))))))))))))))))))))))))))))))))

)))))))))))))))))))))))))))))))))))))))))

Jennifer Hasegawa is a Pushcart Prize-nominated poet who has sold funeral insurance door-to-door and had her suitcase stolen from a plastic surgery clinic in Asunción, Paraguay. She was born and raised in Hilo, Hawaiʻi and lives in San Francisco. The manuscript for her first book of poetry, La Chica’s Field Guide to Banzai Living (Omnidawn 2020), won the Joseph Henry Jackson Literary Award. She is creating videopoems visualizing the book using footage taken while sheltering-in-place during the COVID-19 pandemic. Her work has also appeared in The Adroit Journal, Bamboo Ridge, Bennington Review, and Tule Review and is forthcoming in jubilat.

To view other content published in this issue, 17:1, please visit Vallum’s website.

Vallum magazine is also available in digital format. Featuring additional content such as: AUDIO and VIDEO recordings of selected poets, further poems, interviews, essays, and MORE! Visit our website for details.

Vallum Poem of the Week: "Rue Barrée" by Esmé Pine

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Vallum Magazine · "Rue Barrée" by Esmé Pine

 

Rue Barrée

Our street is an open gash, old plumbing exposed. New city pipes,
     like burlapped trees
laid out on the curb to be planted. Pipes so wide I could climb into each one
and build me a nest of hollow concrete. In there it would be quiet.

A digger is idle, a mountain of gravel will refill the hole come summer.
For now, a layer of snow interrupts the traffic cones and springtime work,
the shallow pit calling for snow angels, or local wound exploration.

All around are detours and railings, orange signs that warn against bridging
the gulf between this corner and the next. Pedestrians stare down into the
     drop off, and
picture all the cavities beneath a city, if anything can heal us from collapse.

Finally the hoses are aligned—a tap in front of every house. Our valve is left
     open,
and water explodes over fences, spraying slush, threatening to drown the
     sprouting daffodils.
If April rains enough, melts it all down, I will learn to swim the canyon to
     cross our street.

For now, I think of the ambulance stuck at the intersection. What is your
     emergency?
Our road cannot be sutured, we are stranded, awaiting technicians.

 

 

 

 

 

Esmé Pine holds a bachelor’s degree in English and Creative Writing from Concordia, where she minored in Art History. She is partway through a Zoom version of the Master’s in Teaching and Learning program at McGill. She was once an intern at Vallum and is thrilled to have this poem featured on the blog. She is a settler born and raised in Tiohtià:ke (Montreal)

 

To view other content published in this issue, 17:1 “HOME”, please visit Vallum’s website.

Vallum magazine is also available in digital format. Featuring additional content such as: AUDIO and VIDEO recordings of selected poets, further poems, interviews, essays, and MORE! Visit our website for details.