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Vallum: Contemporary Poetry

Vallum: Contemporary Poetry

Tag Archives: George Elliott Clarke

Vallum Poem of the Week: “Whitewash” by George Elliott Clarke

12 Monday Jul 2021

Posted by Vallum in Poem of the Week

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18:1, George Elliott Clarke, poem, POTW, Whitewash


Whitewash

 

White is waves bright as crinkled sunlight—or sunrise, done up in foam
White is Grevens Paerecider, Ironworks Pear Eau-de-Vie, Lunenburg County
Winery Montbeliard Pear Wine, and Belle-de-Brillet Poire-et-Cognac
White is the missing link* between Michael Jackson and Elizabeth Taylor
White is a spic-and-span E.R. with a scatalogical surgeon wielding a shit-smeared scalpel
White is a Snow White blow job necessitating a White House snow job
White is white diamonds white gold white chocolate white weapons white Negroes*
White is white-knuckled Rasputin as brass-knuckled Vladmir Putin, barbed nipples bared
White is Pericles, Cymbeline, King Lear, The Tempest, and The Winter’s Tale
White is instinctual, improvised, spontaneous, nonchalant, accidental sex
White is Vesper, Domino, Tiffany, Kissy, Solitaire, May Day, Jinx, plus Pussy Galore
White is seagulls dissertatin, preachin, meechin, squealin, sayin diddly squat
White is shooting blanks or drawing blanks Continue reading →

New Chapbooks! George Elliott Clarke, and Sandy Pool and Blair Prentice

12 Thursday Aug 2010

Posted by lisavallum in Featured Poets, Newsworthy

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chapbook, George Elliott Clarke, online, poetry

Vallum is proud to present two new additions to the Vallum chapbook series!

  • The Gospel of X  by George Elliott Clarke
  • Songs For The Pocket Anatomist  by Sandy Pool and Blair Prentice

Available for purchase now at www.vallummag.com/chapbook.html

KOLA launch and reading: writing home….

30 Monday Jun 2008

Posted by Vallum in Uncategorized

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George Elliott Clarke, home, Horace I. Goddard, KOLA, poetry reading, The Black Writers’ Guild

Last Thursday Jane and I attended a reading in honour of the The Black Writers’ Guild (KOLA)
and the Quebec Board of Black Educators (Q.B.B.E.). KOLA sponsors a black literary magazine of the same name that’s been published in Montreal since 1987. Six readers, George Elliott Clarke, Peter Bailey, Clarence Bayne, Horace I. Goddard, Anthony Joyette, and H. Nigel Thomas, read their work, the works of writers they admire, and spoke about their experiences as immigrants living in Canada. Vallum‘s honorary board member, George Elliott Clarke began the evening and stood out as undeniable highlight, reading from his fun poetic opera, Québécité. The other readers lived up to the auspicious start by reading sections from novels and poems dealing with black experience in Canada, and often adding their own personal anecdotes to supplement the readings.

In questioning how to define identity here in Canada, each reader circled back to the notion of ‘home’ and how such a concept can be understood. This made an impact on me. Granted, on many occasions, I’ve been asked, “where are you from?” followed quickly by, “but where are you really from?” or “where are your parents from?” when my response of “Philadelphia,” shed no light on why I look the way I do. But this is not why the question of how one defines home resonated with me. What makes a place home? I think I would call it the place where I feel like I belong. Not necessarily where I was born or live.

The host of the evening, Horace I. Goddard, said at one point, that he feels that most writers struggle with what they call home, and perhaps they only feel at home in what they are writing. It’s my feeling that it’s not only writers who find a home in the written word, but readers as well. I find a home in any book I read, be it poetry or fiction. And while it’s difficult to explain the feeling of how a good book can make you feel so comfortable and welcome that it’s almost like physically being at home, I think most readers will agree and understand what I’m talking about here. Something happens when we read, something that cuts off the world in which we live and builds a different kind of home around us. A non-physical, but just as real, place that we can retreat to and feel more like ourselves than we might in our own realities.

We may move from place to place and call a variety of locations ‘home’ throughout our lives, but a story can remain for years between the same two covers. And sometimes when we reread, we are able to recapture that first moment of belonging and being at home with literature.

This idea is especially relevant here at Vallum, when we are now getting down the wire with production of the upcoming issue. I think about all the writers that Vallum has given a home and all of our devoted readers, who find a space for themselves twice a year in the pages of Vallum. As writers we create a place for ourselves through our words. As readers we bring our experiences with us when we read, and writers and readers both find a way to connect profoundly with what appears to be only static typeface.

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